Okay, I get it now
Apr. 25th, 2008 09:43 pmWell, now I get the whole bunch of amusing little figures from the CraftyTardis list. The adipose are kinda cute. Too bad their generation is so...icky.
http://www.youtube.com/watch?v=rX_bLcrvL34
http://www.youtube.com/watch?v=rX_bLcrvL34
CBS has released the following statement: ''The March 25th episode of Jericho will be the series finale. Without question, there are passionate viewers watching this program; we simply wish there were more. We thank an engaged and spirited fan base for keeping the show alive this long, and an outstanding team of producers, cast and crew that went through creative hoops to deliver a compelling, high quality second season. We have no regrets bringing the show back for a second try. We listened to our viewers, gave the series an opportunity to grow, and the producers put a great story on the screen. We're proud of everyone's efforts.'' (The Hollywood Reporter)
I have submitted my proofs of purchase to The Joe Store.
Now when I order Volume 14 of the Babylon 5 scripts I will get Volume 15. Free. As a thank you for loyalty, devotion, and forking over the cash for the 14 volumes. Which is the only way you can get it--you can't "buy" it.
Joe rocks!!
What's that you say? Why would someone want the 15th volume?
Lots of reasons. The original River of Lost Souls script.
The "Writers' Bible."
But most of all...
wait for it...
The complete 5 year story arc as originally envisioned with Jeff Sinclair!!!!!!!
Insert fangirl squeee here!
Now when I order Volume 14 of the Babylon 5 scripts I will get Volume 15. Free. As a thank you for loyalty, devotion, and forking over the cash for the 14 volumes. Which is the only way you can get it--you can't "buy" it.
Joe rocks!!
What's that you say? Why would someone want the 15th volume?
Lots of reasons. The original River of Lost Souls script.
The "Writers' Bible."
But most of all...
wait for it...
The complete 5 year story arc as originally envisioned with Jeff Sinclair!!!!!!!
Insert fangirl squeee here!
For My Fellow Sci-Fi Geeks
Feb. 20th, 2008 10:51 amThe list below is from a piece about AFI picking the BEST SCIENCE FICTION FILM. Of the 50 mentioned, which do you think don't belong and which ones have not been included?
The AFI defines "science fiction" as a genre that marries a scientific or technological premise with imaginative speculation. It has selected the following 50 movies as contenders for the best, in alphabetical order (in the case of movies that have been made more than once, we've designated by date which version the AFI has selected):
A.I. Artificial Intelligence
Alien
Altered States
The Andromeda Strain
Back to the Future
The Beast From 20,000 Fathoms
Blade Runner
Children of Men
A Clockwork Orange
Close Encounters of the Third Kind
Cocoon
Contact
The Day the Earth Stood Still
Destination Moon
E.T. the Extra-Terrestrial
Escape From New York
Eternal Sunshine of the Spotless Mind
Fantastic Voyage
The Fly (1986)
Forbidden Planet
Frankenstein (1931)
The Incredible Shrinking Man
Independence Day
Invasion of the Body Snatchers (1956)
The Invisible Man (1933)
It Came From Outer Space
Jurassic Park
Mad Max Beyond Thunderdome
The Matrix
Men in Black
Minority Report
Planet of the Apes (1968)
Repo Man
RoboCop
Rollerball (1975)
Silent Running
Soylent Green
Star Trek: The Wrath of Khan
Star Wars: Episode IV--A New Hope
Starman
The Stepford Wives (1975)
Terminator 2: Judgment Day
Them!
The Thing From Another World
The Time Machine (1960)
Total Recall
Tron
2001: A Space Odyssey
The War of the Worlds (1953)
Westworld.
And, yes, I've seen every single one of them at least once. So sad. I have my own opinions, but I'd like to hear from ya'll before I express them.
The AFI defines "science fiction" as a genre that marries a scientific or technological premise with imaginative speculation. It has selected the following 50 movies as contenders for the best, in alphabetical order (in the case of movies that have been made more than once, we've designated by date which version the AFI has selected):
A.I. Artificial Intelligence
Alien
Altered States
The Andromeda Strain
Back to the Future
The Beast From 20,000 Fathoms
Blade Runner
Children of Men
A Clockwork Orange
Close Encounters of the Third Kind
Cocoon
Contact
The Day the Earth Stood Still
Destination Moon
E.T. the Extra-Terrestrial
Escape From New York
Eternal Sunshine of the Spotless Mind
Fantastic Voyage
The Fly (1986)
Forbidden Planet
Frankenstein (1931)
The Incredible Shrinking Man
Independence Day
Invasion of the Body Snatchers (1956)
The Invisible Man (1933)
It Came From Outer Space
Jurassic Park
Mad Max Beyond Thunderdome
The Matrix
Men in Black
Minority Report
Planet of the Apes (1968)
Repo Man
RoboCop
Rollerball (1975)
Silent Running
Soylent Green
Star Trek: The Wrath of Khan
Star Wars: Episode IV--A New Hope
Starman
The Stepford Wives (1975)
Terminator 2: Judgment Day
Them!
The Thing From Another World
The Time Machine (1960)
Total Recall
Tron
2001: A Space Odyssey
The War of the Worlds (1953)
Westworld.
And, yes, I've seen every single one of them at least once. So sad. I have my own opinions, but I'd like to hear from ya'll before I express them.
GeekGirl Speaks
Jan. 8th, 2008 10:14 pmDear Goddess of the Space Time Continuum--
Please give me an Emperor's Club Ticket to the Boston JumpCon (http://www.jumpcon.com/BostonConvention.html) in July 2008, and the safe and reliable means to get there and back, and an equivalent amount of money to spend on the house, my sweeties, and all my friends so I don't feel guilty, and may there be absolutely no negative consequences, ever, to anyone, as a direct result of, influenced by, or tangentially related to the positive material response to this request.
Thank you,
Your humble servant,
GeekGirl
Please give me an Emperor's Club Ticket to the Boston JumpCon (http://www.jumpcon.com/BostonConvention.html) in July 2008, and the safe and reliable means to get there and back, and an equivalent amount of money to spend on the house, my sweeties, and all my friends so I don't feel guilty, and may there be absolutely no negative consequences, ever, to anyone, as a direct result of, influenced by, or tangentially related to the positive material response to this request.
Thank you,
Your humble servant,
GeekGirl
Completely Random
Oct. 16th, 2007 12:58 pmComtesse VizMizIz should be writing here http://smartbitchestrashybooks.com/.
Yesterday was, well, hellish. Today appears to be merely limbo-ish. I'm hoping to make it all the way up to purgatory tomorrow.
Well, apparently they've cast Kirk--saw pic, no recognition. Karl Urban (be still my heart) is their first choice for McCoy, if they can work out scheduling. Wow--one that could actually work: how novel. Clearly the scheduling will be a deal breaker. Crap.
"Assessment" is a four-letter word.
I'm tired and I want a cookie.
Yesterday was, well, hellish. Today appears to be merely limbo-ish. I'm hoping to make it all the way up to purgatory tomorrow.
Well, apparently they've cast Kirk--saw pic, no recognition. Karl Urban (be still my heart) is their first choice for McCoy, if they can work out scheduling. Wow--one that could actually work: how novel. Clearly the scheduling will be a deal breaker. Crap.
"Assessment" is a four-letter word.
I'm tired and I want a cookie.
(no subject)
Aug. 13th, 2007 10:51 amPennsic was Pennsic. The timing (a week earlier) was nice, despite those with selective memory who insist on blaming all the crappy weather on the week shift. Check the weather reports for the last 20 years kids--we've gotten sucky weather like we had this last week at least 6 times in the past that I remember during the SECOND week of the war, usually thanks to some hurricane or tropical depression. The only way a time change would truly affect the War weather would be to move it out of hurricane season. Not gonna happen.
Did my usual Pennsic service at Public Safety, but I was feeling guilty about not being Fleur-y enough (no classes). I did make the A&S display and my order meeting. Then my sweet Duke pointed out that spending 2 hours a day in a rehearsal tent working on period music was...ta da...ART! dummy, so I had nothing to apologize for. I love that guy.
Left Friday, with Boy failing the packing test for the first time ever! (And this despite us taking back less stuff than Ro drove down.) Thanks to those who found room for the stuff that didn't fit. Boy rented us a lovely hotel room (Holiday Inn Express Rocks!) with jacuzzi tub for Friday night. We had dinner at Texas Roadhouse (my favorite steak joint), then b'fast Saturday at Bob Evans. It is all good.
The car was only a bit of a putz on the way home, with many stops. But the 45 minute cool down at the Liverpool Thruway stop was not much fun (though Duke napped, which is good). For some reason, macho man wouldn't let me spell him in the driving. Doofus.
Home. Two packages awaited me--the new Babylon 5 movie and a big box from Penzey's Spice House. Much happiness. I unloaded the spices Saturday. MMMMMmmmmmm. There shall be yumminess. Watched the movie yesterday morning when I woke early--close captioned so I could actually follow it. Then the boos wanted to watch it last night. I win! Yesterday afternoon we went to see Stardust. I didn't enjoy it as much as the Comtesse did, but it was fun. "Arrrrrrggghhh" will never be the same again.
Today it's back to the academic treadmill, but there is still some time for pleasure reading left. At the War I finished the Heloise and Abelard bio by Burge (recommended), finished off the medieval mystery I started last War (The Tainted Relic, which is a bit like the movie Gun in its conceit, and then finished Jordan's Knife of Dreams). Since there were 2 days left, and I had no book, I picked up the first book in Candace Robb's second series (A Trust Betrayed), but was underwhelmed. The protagonist is a whiny, self-absorbed Scotswoman. I miss Owen Archer and his tough little apothacary wife. Started The Historian last night. That will probably be the last fun reading until the semester ends. Sigh.
And so it goes.
Did my usual Pennsic service at Public Safety, but I was feeling guilty about not being Fleur-y enough (no classes). I did make the A&S display and my order meeting. Then my sweet Duke pointed out that spending 2 hours a day in a rehearsal tent working on period music was...ta da...ART! dummy, so I had nothing to apologize for. I love that guy.
Left Friday, with Boy failing the packing test for the first time ever! (And this despite us taking back less stuff than Ro drove down.) Thanks to those who found room for the stuff that didn't fit. Boy rented us a lovely hotel room (Holiday Inn Express Rocks!) with jacuzzi tub for Friday night. We had dinner at Texas Roadhouse (my favorite steak joint), then b'fast Saturday at Bob Evans. It is all good.
The car was only a bit of a putz on the way home, with many stops. But the 45 minute cool down at the Liverpool Thruway stop was not much fun (though Duke napped, which is good). For some reason, macho man wouldn't let me spell him in the driving. Doofus.
Home. Two packages awaited me--the new Babylon 5 movie and a big box from Penzey's Spice House. Much happiness. I unloaded the spices Saturday. MMMMMmmmmmm. There shall be yumminess. Watched the movie yesterday morning when I woke early--close captioned so I could actually follow it. Then the boos wanted to watch it last night. I win! Yesterday afternoon we went to see Stardust. I didn't enjoy it as much as the Comtesse did, but it was fun. "Arrrrrrggghhh" will never be the same again.
Today it's back to the academic treadmill, but there is still some time for pleasure reading left. At the War I finished the Heloise and Abelard bio by Burge (recommended), finished off the medieval mystery I started last War (The Tainted Relic, which is a bit like the movie Gun in its conceit, and then finished Jordan's Knife of Dreams). Since there were 2 days left, and I had no book, I picked up the first book in Candace Robb's second series (A Trust Betrayed), but was underwhelmed. The protagonist is a whiny, self-absorbed Scotswoman. I miss Owen Archer and his tough little apothacary wife. Started The Historian last night. That will probably be the last fun reading until the semester ends. Sigh.
And so it goes.
Book review and response
Jun. 6th, 2005 01:26 pmWell, classes are out, which means it’s reading frenzy time. I admit
it—when it comes to fiction, I have almost no “standards”—I prefer
genre fiction (sci-fi, fantasy, romance, mysteries) to “serious
leeeteratoooorrrrre.” So far (10 days) I’ve read Gene Roddenberry's Andromeda: Destruction of Illusions, Visions (the first Babylon 5 book, which I had to get from a used book seller online [but hey, at least it’s signed!]), Deception Point by Dan Brown (pre-DaVinci Code), Hadrian's Wall : A Novel by William Dietrich, and The No. 1 Ladies' Detective Agency
by Alexander McCall Smith (which comes perilously close to being real
literature, but I figure it’s so short there’s some wiggle room). I’m
in the middle of three non-fiction books: 1215: The Year of Magna Carta by Danny Danziger and John Gillingham, Dress in Anglo-Saxon England (Rev.) by Gale Owen-Crocker, and Pretty Maids (the Secret History of the Grimm Fairy Tales) by Valerie Paradiz. There are piles of books on my bedroom floor, waiting for me to get to—the 9/11 Commission Report and rereading the first three books of the Camber of Culdi series are at the top of the list (pile?).
However, this isn’t about any of them. It’s about a book I read before Christmas, called Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss.
In the interests of full disclosure, let’s just admit right up front that I’m a card-carrying member of the Grammar Police. I believe a good kick in the posterior is an appropriate response when people mis-use the words less and few. Omitting the comma before the “and” in a series is a sure way to get cuffed up side the head, and I am likely to fly into a homicidal rage when people misuse “myself” [and for those who know me and are interested in longevity, probably the best response is to forget the word even exists, at least when you’re around me]. I don’t have a whistle (a la Rose Gumbo of Rose is Rose), but one sure goes off in my head on a pretty regular basis because of things people say or write, and like Dicea, I was tempted to equip myself with a broad point permanent Magik Marker and a box full of comma, apostrophe, and semi-colon stickers to use on various appalling signage and bumper stickers.
ES&L is a great little book. It’s a little hardcover no bigger than a paperback, nice broad borders inside, and generously sized font, so when I say little, I mean it. It has a wonderful, breezy style but still manages to be just packed with content. If I’m an officer on patrol, Truss is a precinct captain, and she got there through smarts and a wicked sense of humor. When I finished reading the book I felt the way Arlen Spector must feel when he sees John McCain—not entirely alone in the universe. I just wish I could look at the subject with the same balance of passion and humor she does.
That said, the book led to some disquieting thoughts. Well, maybe not led to—perhaps it was more a reawakening than a discovery. One of the things she has to talk about in her book is the differences between British punctuation standards and American. They’re minor, but they are distinctive. For instance, Morguhn bristles when he sees phone numbers written out 123.456.7890 as opposed to (123) 456-7890. He describes it as “trendy internet crap.” Of course, the first way is how they have always done it in lots of other countries, including the UK. That whole comma thing that makes me grind my teeth is called “the Oxford Comma,” after the venerable (stuffy) institution of higher learning in Great Britain. Except, of course, in England that comma is not generally taught, but it’s the grammatical standard (if not the standard in use) in America. All of which highlights an important truth about grammar, spelling, and punctuation—it’s all a convention.
Let me quote myself, from my 2005 syllabus for English 1:
“Writing conventions are things like spelling; word use; and forms, punctuation, and grammar.
You may have noticed that I’m using the word convention, not rule. The reason is that most of the “rules” for English are things that people have “agreed” will be the way things are. For example, in American English, the agreement is to use the marks “…” for quotations, but in Britain they use ‘…’ instead. Here, cars have a trunk and a hood—in England the cars have boots and bonnets. Here, we go to the theater, but in London they go to the theatre. In America, the colors of the national flag are red, white, and blue. In England, red, white and blue are the colours of the flag.
But the conventions aren’t just different between countries. In Utica we go to the drinking fountain, but in Boston you go to the bubbler. In Utica you get a soda at the Nice ‘n Easy—in Buffalo you get pop. In an American newspaper you would talk about the movies Star Wars, The Empire Strikes Back and Return of the Jedi. In an American academic paper you would talk about Star Wars, The Empire Strikes Back, and Return of the Jedi.
Now, that doesn’t mean that just because I’m calling them conventions and not rules that they don’t matter. They do. Following the conventions tells readers that you are educated, professional, thoughtful, and respect the reader’s need to understand. Not following the conventions sends a message that the opposite qualities are true.”
Clearly I try to help my students understand that it's all a bit messy. Why is it messy, you may ask. Well, it's because language is alive. Vocabulary, punctuation, and syntax expand and adapt to include new experiences, new awareness, and the changing dynamics of who is using the language. (One of the things you learn in a history of language class is that changes in usage are usually driven by how adults choose to communicate with children.) That said, how do we know when the convention has changed to the point that the style books (which is what grammar handbooks are) need to change? At which point does zero tolerance for error become rigid adherence to an archaic convention? Language is a living, evolving thing (which is why letters from your mother are no longer closed “From your loving Mother, Mrs. George H. Bush”). For the academic French, it is easy: you find out what the Académie française says, and that’s the rule. It may bear no resemblance to what you hear on the docks in Marseilles, but at least there’s a “court of appeal.” We don’t have that for English, and I certainly don’t want one. It would probably end up being staffed by political hacks (so we’d all end up doing gov-speak and turning everything into acronyms, sounding like some cross between a West Wing episode and a Tom Clancy novel) or academic fossils (in which case no sentence would be shorter than 57 words). Or worse yet, the editorial staff of USAToday.
So, in the absence of some recognized body that would codify English, how do we know when the language has evolved to the point that the governing conventions have changed? It’s a question I struggle with every day, and struggle with especially during thirty weeks between August and June. What do you think, gentle readers?
However, this isn’t about any of them. It’s about a book I read before Christmas, called Eats, Shoots & Leaves: The Zero Tolerance Approach to Punctuation by Lynne Truss.
In the interests of full disclosure, let’s just admit right up front that I’m a card-carrying member of the Grammar Police. I believe a good kick in the posterior is an appropriate response when people mis-use the words less and few. Omitting the comma before the “and” in a series is a sure way to get cuffed up side the head, and I am likely to fly into a homicidal rage when people misuse “myself” [and for those who know me and are interested in longevity, probably the best response is to forget the word even exists, at least when you’re around me]. I don’t have a whistle (a la Rose Gumbo of Rose is Rose), but one sure goes off in my head on a pretty regular basis because of things people say or write, and like Dicea, I was tempted to equip myself with a broad point permanent Magik Marker and a box full of comma, apostrophe, and semi-colon stickers to use on various appalling signage and bumper stickers.
ES&L is a great little book. It’s a little hardcover no bigger than a paperback, nice broad borders inside, and generously sized font, so when I say little, I mean it. It has a wonderful, breezy style but still manages to be just packed with content. If I’m an officer on patrol, Truss is a precinct captain, and she got there through smarts and a wicked sense of humor. When I finished reading the book I felt the way Arlen Spector must feel when he sees John McCain—not entirely alone in the universe. I just wish I could look at the subject with the same balance of passion and humor she does.
That said, the book led to some disquieting thoughts. Well, maybe not led to—perhaps it was more a reawakening than a discovery. One of the things she has to talk about in her book is the differences between British punctuation standards and American. They’re minor, but they are distinctive. For instance, Morguhn bristles when he sees phone numbers written out 123.456.7890 as opposed to (123) 456-7890. He describes it as “trendy internet crap.” Of course, the first way is how they have always done it in lots of other countries, including the UK. That whole comma thing that makes me grind my teeth is called “the Oxford Comma,” after the venerable (stuffy) institution of higher learning in Great Britain. Except, of course, in England that comma is not generally taught, but it’s the grammatical standard (if not the standard in use) in America. All of which highlights an important truth about grammar, spelling, and punctuation—it’s all a convention.
Let me quote myself, from my 2005 syllabus for English 1:
“Writing conventions are things like spelling; word use; and forms, punctuation, and grammar.
You may have noticed that I’m using the word convention, not rule. The reason is that most of the “rules” for English are things that people have “agreed” will be the way things are. For example, in American English, the agreement is to use the marks “…” for quotations, but in Britain they use ‘…’ instead. Here, cars have a trunk and a hood—in England the cars have boots and bonnets. Here, we go to the theater, but in London they go to the theatre. In America, the colors of the national flag are red, white, and blue. In England, red, white and blue are the colours of the flag.
But the conventions aren’t just different between countries. In Utica we go to the drinking fountain, but in Boston you go to the bubbler. In Utica you get a soda at the Nice ‘n Easy—in Buffalo you get pop. In an American newspaper you would talk about the movies Star Wars, The Empire Strikes Back and Return of the Jedi. In an American academic paper you would talk about Star Wars, The Empire Strikes Back, and Return of the Jedi.
Now, that doesn’t mean that just because I’m calling them conventions and not rules that they don’t matter. They do. Following the conventions tells readers that you are educated, professional, thoughtful, and respect the reader’s need to understand. Not following the conventions sends a message that the opposite qualities are true.”
Clearly I try to help my students understand that it's all a bit messy. Why is it messy, you may ask. Well, it's because language is alive. Vocabulary, punctuation, and syntax expand and adapt to include new experiences, new awareness, and the changing dynamics of who is using the language. (One of the things you learn in a history of language class is that changes in usage are usually driven by how adults choose to communicate with children.) That said, how do we know when the convention has changed to the point that the style books (which is what grammar handbooks are) need to change? At which point does zero tolerance for error become rigid adherence to an archaic convention? Language is a living, evolving thing (which is why letters from your mother are no longer closed “From your loving Mother, Mrs. George H. Bush”). For the academic French, it is easy: you find out what the Académie française says, and that’s the rule. It may bear no resemblance to what you hear on the docks in Marseilles, but at least there’s a “court of appeal.” We don’t have that for English, and I certainly don’t want one. It would probably end up being staffed by political hacks (so we’d all end up doing gov-speak and turning everything into acronyms, sounding like some cross between a West Wing episode and a Tom Clancy novel) or academic fossils (in which case no sentence would be shorter than 57 words). Or worse yet, the editorial staff of USAToday.
So, in the absence of some recognized body that would codify English, how do we know when the language has evolved to the point that the governing conventions have changed? It’s a question I struggle with every day, and struggle with especially during thirty weeks between August and June. What do you think, gentle readers?
(no subject)
May. 16th, 2005 12:40 pmOkay, I admit it. I’m a geek. And a TV freak. When I was a kid, for
about 2 years, we didn’t have a television (we didn’t have a
refrigerator, either, but that’s another story [as is the whole lack of
plumbing]), so when we finally got one again, it was a big deal. I
memorized the TV Guide as soon as it came in. My parents stopped even
opening it up—they’d just ask me. I could usually give them the time,
show, synopsis, and guest stars (this was in the days when those things
were in the TV Guide). Of
course, before you get all impressed I should tell you we only got 4
channels, and 2 of those were NBC. Networks ran a lot of movies and 1
hr. series, so I only had about 15 things to remember or less.
My life got patterned around the telly. I got so I anticipated Star Trek at 9 on Thursdays and Lost in Space at 8 on Wednesdays. It would totally disrupt me when they’d move a show’s night and/or time. Or cancel a show I loved (like Honey West)!? Well, it was traumatic. Even canceling a show I watched because there wasn’t anything better (like the original Battlestar Galactica) was pretty horrible for me.
Well, this year, has sucked. First WGN moves Andromeda to Sunday afternoons, completely screwing up my weekend punctuation. For 4 years it came on at 8 PM on Sunday night, and when it was over (just like when I was a kid and the Wonderful World of Disney ended) I knew it was time to shift brain from weekend mode to workweek mode. Now there wasn’t ANY punctuation because Sunday night television BLOWS. No, now it’s on Friday nights on SciFi. Okay, capital letter—except half the time we aren’t home on Friday or if we are 7-8 is while I’m getting dinner finished and on the table. Besides, how a sentence begins is rarely as important as how it ends.
To top it all off, Andromeda is ending after the worst, lamest, most incoherent excuse for a last season ever perpetrated on scifi fans. What really pisses me off is that even with that ringing, unavoidable truth, I’ll still miss it because except for the increasingly predictable Stargate SG-1 it’s the only science fiction series on television that even comes close to being the kind of thing I enjoy. Oh, sure, Revelations is on—but if I wanted to think that hard I’d grade research papers. I want big ships with lots of armament, studly officers, buff women who kick ass and take names, and nice clear good guy/bad guy characters with the occasional “big issue” topics. Oh, and real lighting--none of this crawling around in the dark Riddick crap. Nice shiny metal and well lit corners except when our heroes are going where the bad people are. Life isn’t all the Gospel of John and the Book of Revelations. Frankly, a nice straightforward Gospel of Mark is what I want on a regular basis. It helps me defragment the hard disk of my brain.
Crap. Now what am I going to do for system maintenance?
My life got patterned around the telly. I got so I anticipated Star Trek at 9 on Thursdays and Lost in Space at 8 on Wednesdays. It would totally disrupt me when they’d move a show’s night and/or time. Or cancel a show I loved (like Honey West)!? Well, it was traumatic. Even canceling a show I watched because there wasn’t anything better (like the original Battlestar Galactica) was pretty horrible for me.
Well, this year, has sucked. First WGN moves Andromeda to Sunday afternoons, completely screwing up my weekend punctuation. For 4 years it came on at 8 PM on Sunday night, and when it was over (just like when I was a kid and the Wonderful World of Disney ended) I knew it was time to shift brain from weekend mode to workweek mode. Now there wasn’t ANY punctuation because Sunday night television BLOWS. No, now it’s on Friday nights on SciFi. Okay, capital letter—except half the time we aren’t home on Friday or if we are 7-8 is while I’m getting dinner finished and on the table. Besides, how a sentence begins is rarely as important as how it ends.
To top it all off, Andromeda is ending after the worst, lamest, most incoherent excuse for a last season ever perpetrated on scifi fans. What really pisses me off is that even with that ringing, unavoidable truth, I’ll still miss it because except for the increasingly predictable Stargate SG-1 it’s the only science fiction series on television that even comes close to being the kind of thing I enjoy. Oh, sure, Revelations is on—but if I wanted to think that hard I’d grade research papers. I want big ships with lots of armament, studly officers, buff women who kick ass and take names, and nice clear good guy/bad guy characters with the occasional “big issue” topics. Oh, and real lighting--none of this crawling around in the dark Riddick crap. Nice shiny metal and well lit corners except when our heroes are going where the bad people are. Life isn’t all the Gospel of John and the Book of Revelations. Frankly, a nice straightforward Gospel of Mark is what I want on a regular basis. It helps me defragment the hard disk of my brain.
Crap. Now what am I going to do for system maintenance?
Koala freedom movement
May. 6th, 2005 09:21 amLast night, according to Rowan, in the period between 6:30 and 10:15 PM
I personally am completely responsible for enabling one koala in
purgatory to ascend to heaven. This would be a koala who had, as yet,
had 0 time knocked off its sentence.
Personally, I'd rather have helped 4 or 5 short-timers (more is more), but I'll take what I can get. How did I do this? Don't take me there, but let's just say that it involved not killing any number of AARP eligible females dressed in white. Today there probably won't be any movement in the koala liberation efforts as I'm showing part of Forbidden Planet in class, which means my students will have almost no opportunity to make me want to mow them down with a really effective rapid firing, large magazined, fully automatic firearm.
I also saw today that someone has optioned The Dark is Rising series (which the wonderful Katie loaned me awhile back) to put on film. That could be seriously cool (says the Welshophile). We are hoping to have movie orgy this weekend: Kung Foo Hustle, Hitchhiker, and Sunday, after the teeny boppers have thinned out, Kingdom of Heaven. So that's my weekend: when I'm not buried in papers I hope to be in the theatre. Could be worse.
Personally, I'd rather have helped 4 or 5 short-timers (more is more), but I'll take what I can get. How did I do this? Don't take me there, but let's just say that it involved not killing any number of AARP eligible females dressed in white. Today there probably won't be any movement in the koala liberation efforts as I'm showing part of Forbidden Planet in class, which means my students will have almost no opportunity to make me want to mow them down with a really effective rapid firing, large magazined, fully automatic firearm.
I also saw today that someone has optioned The Dark is Rising series (which the wonderful Katie loaned me awhile back) to put on film. That could be seriously cool (says the Welshophile). We are hoping to have movie orgy this weekend: Kung Foo Hustle, Hitchhiker, and Sunday, after the teeny boppers have thinned out, Kingdom of Heaven. So that's my weekend: when I'm not buried in papers I hope to be in the theatre. Could be worse.
Going home
Feb. 3rd, 2005 10:58 amSo, they’ve cancelled Enterprise.
I’ve never seen the show, living as I do in a rural area where local signal strength is virtually non-existent, cable doesn’t come to my house, and our satellite provider doesn’t carry a UPN station feed. Nonetheless, I feel a loss.
How can that be, you ask. There’s a whole network devoted to science fiction—how can I feel bereft?
Two reasons. First, to put it as succinctly as possible, the SciFi network is becoming an embarrassment to anyone who cares about the genre. The whole idea of being a genre network is to play to that genre’s strengths, to be truthful and authentic when it comes to the subject (sadly, the best example of righteousness in that arena is demonstrated by SpikeTV). The new slate of reality shows being developed by SciFi under the leadership of its new parent company shows how far it has drifted from the original mandate. Oh right, I forgot—their mandate isn’t to provide science fiction programming: it’s to make a profit with an initial payout as low as corporately possible.
The other loss is more personal. I clearly remember watching the first broadcast of the first episode of Star Trek. I was in elementary school, and my parents and I watched the episode in near silence. It was in the days when you watched premier week with great intensity, deciding as a family what would be on the television for the next 26 weeks. When the show was over, my dad stood up to get another beer out of the frig and said, "Well, I guess we know what we’ll be watching on Thursday nights." And when they moved it, we watched it at the new time. And when William Shatner showed up on Jeopardy to thank the fans for saving the show, my mother and I were watching—and we cheered.
In the wasteland between TOS (The Original Series for those of you out of the loop) and TNG (Star Trek: The Next Generation), I read Star Trek books, made audio tapes of the reruns (the kids in my college dorm hated me), had a necklace of the NCC-1701, a uniform patch, framed posters on my dorm walls (right next to the Bee Gees, but that’s another entry). TNG came out when I was in the midst of so much college and grad school I missed lots of it, and it never touched me the way Kirk and Co. had, but it was "home"—Klingons, Andorians, warp drive, phasers, transporters...were science I could talk about with as much knowledge as internal combustion engines, and felt as much a part of my life. Then Deep Space Nine came—the best of all of them: dark, true, and compelling. We lost access to DS9 in season 5—thank the universe for DVDs! Voyager never got to me the way even TNG had, but it was still...a taste of home.
Now Enterprise, a piece of home I never visited, is going. And though I never went there, I knew it was there, like you know the town you grew up in is just down the road if you ever motivate yourself to get in the car and go (or in my case, badger a friend into inviting me over and watching the show at her house). And not only is Enterprise going, but so is Gene Roddenberry’s Andromeda. Not the same—more like an American restaurant in a foreign country (usually the food isn’t great, and doesn’t taste quite like home, but, in an alien landscape, still a treasure).
So, after May 13, all I’ll have is pictures of home—I won’t be able to go there anymore, just visit memories. It’s not the same.
Why UPN, CBS, etc. pulled the plug is in the dollars. Why people didn’t watch has as much to do with failure to understand the when’s and why’s of people’s lives as disinterest on their part as problems with writing. How many, like me, never watched because it wasn’t an option, not because it wasn’t a choice?
If I never get a chance to go home again, it won’t surprise me. The world moves on—Gunsmoke finally went off the air, and I’m sure there are those who felt the same way when the door to the Long Branch finally swung shut for the last time. But I’ll miss my trips to the Federation, and hope, some day, we’ll boldly go again on the Wagon Train to the stars.
I’ve never seen the show, living as I do in a rural area where local signal strength is virtually non-existent, cable doesn’t come to my house, and our satellite provider doesn’t carry a UPN station feed. Nonetheless, I feel a loss.
How can that be, you ask. There’s a whole network devoted to science fiction—how can I feel bereft?
Two reasons. First, to put it as succinctly as possible, the SciFi network is becoming an embarrassment to anyone who cares about the genre. The whole idea of being a genre network is to play to that genre’s strengths, to be truthful and authentic when it comes to the subject (sadly, the best example of righteousness in that arena is demonstrated by SpikeTV). The new slate of reality shows being developed by SciFi under the leadership of its new parent company shows how far it has drifted from the original mandate. Oh right, I forgot—their mandate isn’t to provide science fiction programming: it’s to make a profit with an initial payout as low as corporately possible.
The other loss is more personal. I clearly remember watching the first broadcast of the first episode of Star Trek. I was in elementary school, and my parents and I watched the episode in near silence. It was in the days when you watched premier week with great intensity, deciding as a family what would be on the television for the next 26 weeks. When the show was over, my dad stood up to get another beer out of the frig and said, "Well, I guess we know what we’ll be watching on Thursday nights." And when they moved it, we watched it at the new time. And when William Shatner showed up on Jeopardy to thank the fans for saving the show, my mother and I were watching—and we cheered.
In the wasteland between TOS (The Original Series for those of you out of the loop) and TNG (Star Trek: The Next Generation), I read Star Trek books, made audio tapes of the reruns (the kids in my college dorm hated me), had a necklace of the NCC-1701, a uniform patch, framed posters on my dorm walls (right next to the Bee Gees, but that’s another entry). TNG came out when I was in the midst of so much college and grad school I missed lots of it, and it never touched me the way Kirk and Co. had, but it was "home"—Klingons, Andorians, warp drive, phasers, transporters...were science I could talk about with as much knowledge as internal combustion engines, and felt as much a part of my life. Then Deep Space Nine came—the best of all of them: dark, true, and compelling. We lost access to DS9 in season 5—thank the universe for DVDs! Voyager never got to me the way even TNG had, but it was still...a taste of home.
Now Enterprise, a piece of home I never visited, is going. And though I never went there, I knew it was there, like you know the town you grew up in is just down the road if you ever motivate yourself to get in the car and go (or in my case, badger a friend into inviting me over and watching the show at her house). And not only is Enterprise going, but so is Gene Roddenberry’s Andromeda. Not the same—more like an American restaurant in a foreign country (usually the food isn’t great, and doesn’t taste quite like home, but, in an alien landscape, still a treasure).
So, after May 13, all I’ll have is pictures of home—I won’t be able to go there anymore, just visit memories. It’s not the same.
Why UPN, CBS, etc. pulled the plug is in the dollars. Why people didn’t watch has as much to do with failure to understand the when’s and why’s of people’s lives as disinterest on their part as problems with writing. How many, like me, never watched because it wasn’t an option, not because it wasn’t a choice?
If I never get a chance to go home again, it won’t surprise me. The world moves on—Gunsmoke finally went off the air, and I’m sure there are those who felt the same way when the door to the Long Branch finally swung shut for the last time. But I’ll miss my trips to the Federation, and hope, some day, we’ll boldly go again on the Wagon Train to the stars.